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Linnet Moss

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Linnet Moss

Category Archives: Reviews: Books, Theater, Film

Georgette Heyer and Jane Austen

May 17, 2017

Many readers of Georgette Heyer remark that her works are “the next best thing to reading Jane Austen.” There are …

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Beautiful Men in Screwball Comedies

May 10, 2017

Screwball comedy, a genre invented during the Depression, often features a madcap woman (think Claudette Colbert, Katharine Hepburn, Barbara Stanwyck) embroiling …

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“Taken”: Masculinity, Memes, and Liam Neeson

April 26, 2017

Last night I watched Taken in order to find out what all the fuss was about, since this hit film has spawned …

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Devil’s Delight: Georgette Heyer’s Eighteenth-Century Romances

April 19, 2017

Georgette Heyer is best-known for her frothy Regency romances, set during the early nineteenth century (in the days of Jane …

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Jane Eyre on Page and Screen 19: Reunion with Rochester

April 12, 2017

“Yes, I love Jane Eyre,” said an English professor friend of mine. “But… that ending!” She shook her head, smiling …

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The Cook, The POTUS, His Wife and Her Lover

April 5, 2017

When Peter Greenaway’s The Cook, The Thief, His Wife & Her Lover was released twenty-eight years ago, it went unrated in the US …

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The People Speak: Ciarán Hinds in “Jane Eyre”

March 21, 2017

As part of my Jane Eyre blog series, I’ve been reading through lots of reviews on Amazon to see how film versions …

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Jane Eyre on Page and Screen 18: Missionary Man

March 1, 2017

I’ve often thought that the Eurhythmics’ song “Missionary Man” could have been inspired by St. John Rivers. The Missionary Man, …

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Shusaku Endo’s “Silence” on Page and Screen

January 12, 2017

In Martin Scorsese’s film adaptation of Silence, the 1966 novel by Shusaku Endo, we first see a black screen and …

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Jane Eyre on Page and Screen 17: The Wandering

January 4, 2017

Inspecting the handwriting of an author, even one born in a century long-past, brings you to a direct apprehension of her (or his) …

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